Soror Dolorosa – “Apollo”

March 10, 2018
This review was published earlier in 2017 on No Clean Singing website. Soror Dolorosa are French post-punk/goth rock/new wave band and "Apollo" is their third full length album.

The last 15 years have put France mainly “under the light” of black metal scene and created a solid number of followers worldwide. Completely justified, one could say, taking into consideration impact that French bands have created on the extreme metal in this period. At the same time several other good bands have come out, however, receiving drastically less attention or fans.

The birth and death of French cold wave happened almost three decades ago and you could count on the fingers of one hand bands that have lasted for more than just a few years. A certain revival was seen finally in the debut album of Soror Dolorosa in 2011. At last, we are now able to see and hear their third LP, four years after their solid sophomore release No more heroes. There wasn’t much to hear from them in this period, they played only a handful of concerts but, at least, now we know the reason.  And the reason is excellent – Apollo is finally out and they have made their best record so far.

Nonetheless from the start we hear recognizable vibe and sound, this is definitely their most layered album up to date. Their cold wave base is now spattered with moments of synth-pop, goth rock and acoustic guitar creating in the end beautiful combination. Apollo is more harmonic, definitely more melodic and significantly better “packed” than previous releases. Unlikely first two albums where band had strong differences between each song on the record, now material seems more coherent affecting you as a whole with each of its parts. Strong feeling of melancholy is present throughout the most of the songs and it easily evokes similar emotions in you; a bit “lighter” than the first two efforts, yet powerful and expressive. French cold wave has always been known for its unique affective impact, often turning affliction into something attractive and inspirational. Apollo goes further – at moments dreamy and sensual (even romantic, why not), it is quite emotional record and right autumnal background.

Two tracks which announced the arrival of the album (“Everyway” and “The End”) are highlights of the LP tough I need to mention title track and “Breezed and blue” as equally strong and beautiful. In these pieces melancholy reaches its peak and it is hard to remain unaffected by these creations. Although some songs are catchy, album itself asks for several spins before you actually create the whole image. Even “Deposit mineral” and “Golden snake” which seem as the least interesting, in the end fit well as the closing tracks of the album and have rightly found their spot on this record. Andy Julia’s vocal performance on moments is the best he has done so far (particularly in “The End”) and remains one of  distinctive characteristics of band’s sound.

Soror Dolorosa keep going upward with their career and Apollo comes as the right evidence of it. It is mature, constant and massive and definitely an album which you will come back to in years after it was released. Some of the songs go hand-to-hand with their classics “Autumn wounds”, “Sound & death” or “A dead yesterday”, proving that their peculiar sound is still growing and expanding. Now, it only remains to hope that band will increase the number of their live appearances and give us more chances to see them perform.


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